You can see this played in the video as well, but don’t worry too much about the technical aspect of it now. The ‘I’ Chord is like the ‘home’ chord in any key. We’re going to look at two more blues licks. For the progression, we’re going to start with four measures of the 1 chord, so get your E power chord in place. Place your index finger on the second fret of the A string, third finger on the fourth fret of the D string, and strum just the fifth and fourth strings. The key of Bb has the following chords for I, IV and V: The 12 bar blues in the key of B flat would look like this: Simple right? Since the main difference between the Pentatonic Major and Minor is that the Minor has the b3 and b7 which both provide the tonality of the scale. Before we look at exactly what it is, we need to be familiar with I, IV and V chords. What we’re going to do now is play a 12 Bar Blues in the key of A, but instead of simply playing chords, we’re going to use a riff. A common variant of the 12 bar blues is to use a quick change. Each time there is a chord change, the riff will transpose to fit over the new chord. With that in mind, we’ll be in the key of E blues through this entire series. Have a look, have a listen, then have a learn and enjoy! The ‘V’ Chord is bold and daring. Because as it is bent, the pitch increases. When playing a blues in A, like in the above examples, we can use an A minor pentatonic scale to improvise and construct solos. The standard 12-bar blues progression has three chords in it – the 1 chord, the 4 chord, and then the 5 chord. Although there are many variations, the basic 12 bar blues follows a particular pattern of the three chords. ©2020 onlineguitarbooks.com. It’s probably easier to just refer to them as I, IV and V. I have mentioned the labels because it’s good to be thorough, but also, it’s an insight into the fact that each chord has a relationship to the other chords, or a function. A shuffle or swing feel is going to have a long note followed by a short note, which is easier to understand once you’ve seen me demonstrate it in the video. Bending notes is a very expressive articulation, and it’s almost impossible to hear a blues guitarist play without hearing a good amount of bends. In the lesson on arpeggios, we explored the notes that make up different chords. But that’s the point. Looking at the graphic on-screen, you can see that you’ll have four bars of the 1 chord, and since we’re in the key of E, that’s four bars of an E chord. Direct: 1-604-855-7605 For now, you can keep the strumming simple if you want by playing all whole notes, and then when you’re ready, you can move up to the swung eighth notes like I played in the example. - Lesson 2/12. Place your index finger on the second fret of the A string, and strum just the sixth and fifth strings. Blues Guitar Quick-Start Series The 12 Bar Blues And The Minor Blues Scale. It has been used to produce countless hits including outside of the blues genre. You will probably be reminded of specific songs as you play the chords, because they are so common. It might simply say what key the song is written in, like the key of E blues or the key of A blues. You may have to work on your aim with your strumming hand to be able to hit just the strings you need. In this lesson, we are going to look at the 12-bar blues, which is a popular chord progression used in countless songs. In comparison with the progression I had covered in part one (which I’ll now refer to as the major blues progression), the minor blues progression has a darker, smoother sound to it. This probably doesn’t mean a lot to you yet without hearing it and playing it, but you’ll need to memorize this progression. To be able to play a blues, we need three chords – 1, 4 and 5. Then you’ll move back to the 1 chord for two measures of E. From here, you’ll play the 5 chord, which is a B, for one measure, then one measure of the 4 chord which is A, one measure of the 1 chord which is E, and finish with one measure of the 5 chord which is B. The minor pentatonic scale can be used over a 12-Bar Blues. As we bend it, it moves towards Eb (the ‘b5’) and then towards E (the ‘5’). The 12 bar blues is made up of 12 bars (crazy, huh?) It goes like this: Playing the 12 Bar Blues in a particular key is simply a matter of figuring out the I, IV and V of that key and then using those chords with the above form. Now that you’re familiar with the 12 Bar Blues and the minor blues scale, we’re going to finish with a study that is based on both.

12 bar blues in b minor

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