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It consistently delivers a punchy, “larger than life” image. 0000030797 00000 n 0000004644 00000 n The R88 delivers breathtaking, natural stereo in a truly organic way. Engineer John Cuniberti aims to capture a band in one take, without edits or overdubs, but sound as balanced as a conventional multi-track recording. 0000002881 00000 n 0000008784 00000 n The resulting recordings of Cuniberti’s OneMic Series are a testament to the organic energy of the captured moment. 0000007916 00000 n 0000030365 00000 n 0000006057 00000 n H��VK�1�ϯ�^����l 0000128929 00000 n 0000032014 00000 n It was a unique form of choreography that allowed ensembles to perform more complex arrangements around the one microphone. #�LB��'4�m� ���P���A{h?������d YH �p�8hy(@��b�1��5����i�,F��BOCO�������S�i�)�4�zz 0000008717 00000 n 44 49 In whatever capacity you see fit to use it, the R88 will serve to unify your recordings with a comprehensive and complete sound. Today, the same logic can be applied when using the AEA R88 stereo ribbon microphone, an extremely flexible stereo far-field mic used by recording engineers as diverse as Vance Powell, Ryan Hewitt, Joe Chiccarelli, and John Cuniberti. <<8d0e6d7593b290409f312f3eea1140ac>]>> trailer 0000005361 00000 n As a far-field ribbon, the R88 picks up a significant amount of bass from over 20 feet (6 meters) away from the source. 0000024100 00000 n Early methods for capturing ensembles involved positioning several vocalists and instrumentalists around one mic for practical purposes. 0000007043 00000 n endstream endobj 50 0 obj[73 0 R] endobj 51 0 obj<>stream The stereo R88mk2 ribbon mic captures sound as your ears hear it, with an honest and open tonality. [��r�*}���z����zz�^���H�(�;�wh=fkh m� � }&*Q0(�%TBҐ@Y�B���J���+h�H�'�i�=m �.�k�u� �.���� � ����MX�0x�x1x�x1x�x1x�x1x�x1x�x�:� 0000001660 00000 n xref 0000010180 00000 n 0000006906 00000 n 0000024503 00000 n 0000474466 00000 n The R88 uses two of AEA’s signature Big Ribbon elements in a perpendicular array and mounted in close proximity to each other along the vertical axis of the microphone. 44 0 obj <> endobj 0000000016 00000 n 0000289149 00000 n The R88 was his mic of choice, due to its outstanding low-end response, open sound, and design simplicity. 0000032331 00000 n A�� (8����P�w4/蹇�;��p4!�� zq�"�� Zr�di�Ӓ%�'�%�'�%�'�%�'�%�'�%�'�%�'�%�'�%�_��y��}�⺫�6�i��� i3�;������Q�S�_�W� ��\ 0000017855 00000 n x�b```b``�c`c`�Z� ̀ ��@Q� B,O��\����L�JN��Æ0�H�M�Z&��Ʈci*z�c�a�v��q�K�]�s5дU ᐌ���kx�f�B ��K' Maq� ���l� 0000002857 00000 n Proudly independent, we build all our products by hand in Pasadena, CA, U.S.A. 0000031270 00000 n H�\�͊�@F�y�Zv/���nU� ���8� 1)������Ĝ��6*���-���C~h�A����U��0����]2�{|܆x=4�6Y.U�cߓ�[_žn.�����������kl���JU��/E���F�N�}���;�����2k��mo]Qƾh.1Yf�g����JbS�w��_;���E�z �u�'v�K��v�F�\�6(tF2I \6EV:�HGࣔ���t�>�|�ݕ�Z�A���(�Q�� �I�S���%E. This design yields an astonishingly open, natural sound that accurately reflects the room it inhabits. It is truly one of the most versatile microphones in the AEA line. 0000002245 00000 n The R88 mk2 stereo microphone is a true Blumlein recording system optimized for recording instruments and ensembles in stereo. %PDF-1.3 %���� endstream endobj 45 0 obj<>/Metadata 42 0 R>> endobj 47 0 obj<>/XObject<>/ProcSet[/PDF/Text/ImageC]/ExtGState<>>>>> endobj 48 0 obj<> endobj 49 0 obj<>stream 0000031876 00000 n 0000023905 00000 n The design of the R88 was inspired by the significant stereo recording tradition established by EMI engineer, Alan Blumlein, who invented stereo recording by demonstrating the natural reproduction of the soundstage in one of the Abbey Road studios in London. As an alternative to Blumlein’s technique, the R88 can also be used for MS stereo, providing excellent mono compatibility and full control over the width of the stereo image. As a stereo far-field ribbon microphone, the R88 Series was designed to capture balanced sound from long distances. The R88 uses the large ribbon configuration of the classic RCA 44 series mics, which gives the mic solid 20Hz bass response and a smooth high end which is flattering to complex tones. H�\�]��0���+r9s1�MN����^����mtk[j���o�#.lA��4��4_�6���U�}�}�ձ��)\���u���J�ڮ����s=f���v��y��l�T��8���M����^���Ԇ��O���z����u��s�gU��Rm8f��K=~��A���ۮ��n���3���y�҉K�4C.c݄��O! The R88 operates with very low distortion over a huge dynamic and frequency range. The R88 has become an essential, regular tool for their recordings. 0000393905 00000 n AEA R88 MKII Microphone The R88 mk2 is optimized for recording instruments and ensembles in stereo. startxref 0000018362 00000 n 46 0 obj<>stream 0000032038 00000 n The R88 is a passive ribbon design and the 1:28 transformer between the.2 Ohm ribbon and the mic line is its main electronics component. Many engineers who recognize that potential won’t press record on their project until an R88 is in the room. ©2020 AEA Ribbon Mics & Preamps, All Rights Reserved, glue that holds everything together in a recording. �v��������{(��W��G&�M�{,[�>������a4�ڟ�N�R��:�S��Nj�����e��}S��뷠�< �e����dY>�i�H��?���'e ���oe'vA�h5���Mԓ!��ax����bn��,� �M��ӻ�o+v���h �لM��C[�#�d�d���������dǴWhs=��˛�e��������cp�,���M��6y��i�_D�����d(�?f�S�`���@�Qo���������Oz0J((Ѝ�-Х�k�9r��1����\j^N����S��|�ޱA�1�>^ �� C��h��=���ԉ� 2��9K}����nC#v���d�@�*���v���ɹ��W 9ػ��l�yp�ApV��:P�a��MJ¼|��|�&�s�s��p�h�ι��Dw�Qew)g^r�\�K܇٤��1��� In order to ‘mix’ the volumes and stereo positions of vocalists and instrumentalists around the R88, the engineer will experiment with the sources’ distance from the mic as well as the intensity of an instrumental performance.
aea r88 stereo ribbon microphone
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