by inverseroom » Wed May 31, 2006 2:44 pm, Post The Coles as well as the Beyer 160s were instantly clear (albiet totally … The way it smoothed out the abrasive cymbols....I started using ribbons as OH's. i'm really considering a pair of these. by ??????? » Sat Jun 03, 2006 6:44 am, Post » Wed May 31, 2006 7:24 am, Post But I do know an Engineer in Bloomington. If the Beyer were the M130 would you have the same opinion? by djimbe » Tue May 30, 2006 6:33 am, Post by eeldip » Wed May 31, 2006 9:34 am, Post by johnny7 » Mon May 29, 2006 11:10 pm, Post by Mix413 » Tue May 30, 2006 6:56 am, Post 1 - Coles 4038 or Beyer M160 Ribbons (gtr, room) 1 - AKG C-12 Silvertone: Nobtwiddler wrote on Tue, 12 January 2010 19:10 When I discussed this exact thing with Eddie, his response was quick and simple 1 - AKG- D30 (kick drum) 1 - Beyer … by barrett » Fri Jun 02, 2006 10:28 am, Post 2. I won't purchase any Coles YET, however. 1.333 € 1.459 € 69 évaluation(s) client: 5. by Recycled_Brains » Fri Jun 02, 2006 3:46 pm, Post Very interesting thread. Who let the drummer in here?? Figure 8's also have a unique ability to reject sounds that originate from far away. I would like to use them as drum overheads. by ted dawg » Tue May 30, 2006 9:50 pm, Post Beyer m160: 350 € » Beyerdynamic M 160 neuf ... J aurais aime me payer un royer 121 ou un coles 4031 mais je ne regrette pas mon achat. Coles 4038 Studio Ribbon. ...serving the creative recording community since 2001... Post I now realize that I should not have paid the rental fee. They sound phenomenal on piano, orchestra, strings, winds, drums, guitars, voice...hell, everything! 31 posts 1; 2; 3; Next; ted dawg audio school graduate Posts: 20 Joined: Sun Nov 20, 2005 4:44 pm. AKG 451 vs Beyer 160 OR Schoeps vs Coles 4038 for classical piano? by rodabod » Sat Jun 03, 2006 5:22 am, Post I've used the 160 a few times, and think it has a bit more detail in the top, though as johnny7 says, the Coles can get some bumpin' bottom end. In a high ceilinged great sounding room I'd try the Coles. Thanks to you all. Also a pair of Beyers would be less expensive thereby allocating more $ for something else and the 160 pair will come in handy on lots of other stuff - guitars, piano, percussion. Golden Age Project R1 active Mk3. by klangtone » Wed May 31, 2006 11:11 pm, Post by dwelle » Wed May 31, 2006 4:01 pm, Post It's uncanny how it does that considering the figure-8 pattern, but it does.... ↳   5/03-2/05: Off-Topic / Off-Color / Off-the-Cuff, ↳   5/03-2/05: Musicians Wanted/Available, ↳   5/03-2/05: Producer/Engineer and Studio Job Listings, https://www.facebook.com/estudio.ensenada.PR/, http://www.amazon.com/gp/product/B0002S ... n=11091801. 315 € 377,94 € 5 . 39 Jan/Feb '04), ↳   5/03-2/05: Off-Topic / Off-Color / Off-the-Cuff, ↳   5/03-2/05: Musicians Wanted/Available, ↳   5/03-2/05: Producer/Engineer and Studio Job Listings. by Russian Recording » Fri Jun 02, 2006 6:11 am, Post i think the 160's might even be a little more rugged actually. The Coles as well as the Beyer 160s were instantly clear (albiet totally different sounds); that Royer could not have been working properly. Je regrette cependant que ce micro ne soit pas un peu plus sensible a la source sonore Si il y avait plus de choix en ruban hypercardio, j aurais peut être un autre avis mais cette qualité et robustesse plus la pattern hypercardio , c est top ! by inverseroom » Tue May 30, 2006 5:00 am, Post The Beyer 130 and 160 are some of my favorite mics of all times. the 4038s are the balls for overheads. The state not the school. The Coles 4038 and Beyer M160 showed why they're some people's first choice for this application. "The Coles provides the great rejection because of the Fig. 368 € 399 € 39 . ...serving the creative recording community since 2001... Post 1.185 € Taylor American Dream AD17e. It's hard to imagine anybody on this board saying anything remotely negative about either of these mics...they're like everyone's favorites in the whole world. So the difference between the pressure exerted on the front of the diaphragm as compared to the back of the diaphragm is negligible. In a low-ceilinged, not so great room the Beyers might be a better choice. Beyerdynamic M160 vs. Coles 4038. Beyerdynamic M160 vs. Coles 4038. I am testing my Coles 4038 against my AKG c451b. by ted dawg » Sat Jun 03, 2006 1:37 pm, Users browsing this forum: Jarvis and 27 guests, Recording Techniques, People Skills, Gear, Recording Spaces, Computers, and DIY. Might depend on the room. I like the Coles as OH, but if you're recording a whole band in a room, you'll get more bleed (and/or crappy room noise if your room isn't the best) in the Coles which may be a deal breaker. by Russian Recording » Wed May 31, 2006 10:51 am, Post The 4038 is absolutely KILLING on flute though. are you barrett from IU barrett? Shure KSM 313/NE Dual. if so, hey! by mr scratchy esq » Wed May 31, 2006 1:26 pm, Users browsing this forum: Jarvis and 26 guests, Recording Techniques, People Skills, Gear, Recording Spaces, Computers, and DIY. by Russian Recording » Wed May 31, 2006 8:22 pm, Post I thought this club was for musicians. 61 Clients . PDA. nope, that looks about right. Though the Coles 4038 and Beyer M160/M130 have somewhat supplanted the older RCA units as current workhorses, most engineers would gladly use a good 44BS/77DX/KU3A for the appropriate recording … Both are superb mics. The are quite dark, but take a additive high shelving EQ very nicely. They are also the balls on gtr amps. by Russian Recording » Wed May 31, 2006 7:38 am, Post Therefore, very little sound is actually picked up because the diaphragm is more or less in equilibrium. by Theron D » Mon May 29, 2006 9:45 pm, Post We have only one of each so I have no experience with pairs. Never seen anyone use 'em as overheads. by tiger vomitt » Sat Jun 03, 2006 11:17 am, Post There were indeed M160's. Royer R121 (front) The Royer gave a cool, classy and fairly coloured sound, the mid-range boost showing its presence and a touch of poke bringing out the snare with a lot of punch.

beyer m160 vs coles 4038

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