It is played in the introduction and in the sixteen-measure bridge. Laura Branigan was all the rage last season, and this year the players decided on Eddie Murphy’s 1985 hit “Party All the Time.”. • Blues embrace ’80s hit ‘Gloria’ as post-win anthem. The Blues just want to "Party All the Time," as Vince Dunn revealed the team's post-game victory song they've used for the 2019-20 season. He was also very skilled at scat singing. The 1925 version sung by Bessie Smith, with Louis Armstrong on cornet, was inducted into the Grammy Hall of Fame in 1993. 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The Blues just want to "Party All the Time," as Vince Dunn revealed the team's post-game victory song they've used for the 2019-20 season. "Saint Louis Blues" (or "St. Louis Blues") is a popular American song composed by W. C. Handy in the blues style and published in September 1914. Handy said his objective in writing the song was "to combine ragtime syncopation with a real melody in the spiritual tradition. "Saint Louis Blues" (or "St. Louis Blues") is a popular American song composed by W. C. Handy in the blues style and published in September 1914. The song … Louis Armstrong with Velma Middleton & His All Stars - Saint Louis Blues Album: Louis Armstrong Plays W.C. It’s kind of just been whatever. An instinct that wanted so much to live, to fling its arms to spread joy, took them by the heels. Prince, released an instrumental version in December 1915. Post was not sent - check your email addresses! The St. Louis Blues hockey team has adopted Laura Branigan’s song “Gloria” as their good-luck anthem. The song has been called "the jazzman's Hamlet." Fans of the St. Louis Blues have been noticing that Laura Branigan's smash single from the early 1980s has been playing in the locker room after wins these days. I tricked the dancers by arranging a tango introduction, breaking abruptly into a low-down blues. "Saint Louis Blues" (or "St. Louis Blues") is a popular American song composed by W. C. Handy in the blues style and published in September 1914. [11][12], Researcher Guy Marco, in his Encyclopedia of Recorded Sound in the United States, stated that the first audio recording of "Saint Louis Blues" was by Al Bernard in July 1918 for Vocalion Records. Louis Armstrong, Bing Crosby, Bessie Smith, Count Basie, Glenn Miller, Guy Lombardo, and the Boston Pops Orchestra are among the artists who have recorded it. [7] The tango-like rhythm is notated as a dotted quarter note followed by an eighth note and two quarter notes, with no slurs or ties. Handy said he had been inspired by a chance meeting with a woman on the streets of St. Louis distraught over her husband's absence, who lamented, "Ma man's got a heart like a rock cast in de sea", a key line of the song. [5][6], The form is unusual in that the verses are the now-familiar standard twelve-bar blues in common time with three lines of lyrics, the first two lines repeated, but it also has a 16-bar bridge written in the habanera rhythm, which Jelly Roll Morton called the "Spanish tinge" and characterized by Handy as tango. But it just isn't blues". It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. St. Louis Blues Lyrics. The St. Louis Blues of the National Hockey League (NHL) are named after the titular song. The song has been called "the jazzman's Hamlet."[1]. However, the house band at Columbia Records, directed by Charles A. When "St Louis Blues" was written the tango was in vogue. As they began their quest for a second straight Stanley Cup, the Blues went in a different direction for their post-game victory song. Kind of just left it in the past. Drop him a line at phtblog@nbcsports.com or follow him on Twitter @Sean_Leahy. Defenseman Vince Dunn revealed the song choice during the Blues’ virtual reunion Wednesday night. Louis Armstrong, Bing Crosby, Bessie Smith, Count Basie, Glenn Miller, Guy Lombardo, and the Boston Pops Orchestra are among the artists who have recorded it. In 1914, it appeared in the Charlie Chaplin movie, The Star Boarder. It was one of the first blues songs to succeed as a pop song … About St. Louis ... bending the lyrics and melody of a song for expressive purposes. [5], While blues often became simple and repetitive in form, "Saint Louis Blues" has multiple complementary and contrasting strains, similar to classic ragtime compositions. My eyes swept the floor anxiously, then suddenly I saw lightning strike. The original published sheet music is available online from the United States Library of Congress in a searchable database of African-American music from Brown University. Once the Blues turned the page on 2019-20, they left “Gloria” behind with it. [2][3] Handy's autobiography recounts his hearing the tune in St. Louis in 1892: "It had numerous one-line verses and they would sing it all night. The film St. Louis Blues, from 1929, featured Bessie Smith singing the song.[13]. This song has been used in a number of films. Sorry, your blog cannot share posts by email. I'm not saying that 'Saint Louis Blues' isn't fine music you understand. In 1929, Bessie Smith made her only film appearance, starring in a movie titled St. Louis Blues that was based on this song… … We have a pretty fun group. Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Flipboard (Opens in new window), Click to share on Reddit (Opens in new window), Click to email this to a friend (Opens in new window), Holiday light display honors Blues’ Stanley Cup title, plays ‘Gloria’. "[4], The song was a massive and enduring success. “We haven’t really been too focused on it. The dancers seemed electrified. Sean Leahy is a writer for Pro Hockey Talk on NBC Sports. “This year we have a new one,” Dunn said. [7], Singer and actress Ethel Waters was the first woman to sing "Saint Louis Blues" in public. Handy Year: 1954 Label: Columbia MORE: [11] She said she learned it from Charles Anderson and featured it herself during a 1917 engagement in Baltimore. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. We didn’t want to carry [Gloria] over from last year. Armstrong is renowned for his charismatic stage … We like to have our fun, and I think the song kind of reflects on our group a little bit.”.