While doing a gig at Rainbow Gardens in Pomona, The Romancers were seen by Eddie Davis who really liked their sound. Del-Fi’s website is: www.del-fi.com. Andy Tesso had moved on and was playing with The Mixtures, a multi-racial group from Oxnard, and other groups. Recording for one of Eddie Davis’ labels called Linda was the next phase of The Romancers career. Other additions were Johnny Diaz on guitar, Cesar ValVerde on sax, and Ralph Ventura on trumpet, who later sang lead on The Blendells’ recording of “Dance with Me”. These records featured The Romancers with vocals and had a new version of the band. All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. They thought “Dance and Romance to The Romancers” would sound good, and it did. They were also the first East L.A. band to work with Billy Cardenas and Eddie Davis, who went on to record many other Eastside bands throughout the 1960s. The Romancers were the first East L.A. Chicano band to record an album and were the main influence of the mid-sixties East L.A. sound. Max Uballez was the group's leader, chief songwriter, and rhythm guitarist. Andy agreed and the band was christened the Tribal Rockers. Many of the members of the band stayed with Max and continued their engagement, where they backed up such artists as Little Stevie Wonder, Chuck Berry, The Coasters, The Shirelles, and Don Julian & the Meadowlarks. Feel free to contribute! As a result of The Romancers’ success at Del-Fi, other Chicano artists recorded for the label such as, The Heartbreakers, Ronnie & the Pomona Casuals, and The Sisters. “Huggie’s Bunnies,” which was named after Eastside DJ Huggy Boy, was later recorded by The Blendells and another popular Eastside band, The Ambertones. The Romancers is best produced with the late 18th century in mind and customs from the Louis XVI period. The promotion man at Magic Circle thought Max should change his name because “it sounded too ethnic,” so he became Maximillian on the record without his knowledge or consent. Max Uballez and Billy Cardenas helped create and record these artists for the label. They have been labeled a garage band by most music collectors and therefore their records are highly collectible and of great value. Keane decided not to release it, or perhaps took too long, and Billy Cardenas went to another label, Magic Circle, and re-recorded it. It remains one of the classic recordings by an East L.A. band. I got to know Max Uballez in the early 80s and Andy in the late 90s. He thought there was a distinct Latin feel to their rock & roll, which led him to work with Chicano bands for the rest of his career, almost exclusively. However, it served as another good hook for a new album. Their sound had a definite influence on The Premiers, The Blendells, my band (Mark & the Escorts), and many others. These Italian street performers used acrobatic skills and physical comedy to help establish commedia as a genre of theatre by the mid-1500s. “Let’s Do the Swim” sounded a lot like the previous album and was released on Del-Fi’s Selma label. The Romancers began to work as the house band at the legendary El Monte Legion Stadium and had a falling out with their manager, Billy Cardenas, over working with a certain promoter. The album featured a great cover of “Patricia” by Perez Prado, and the classic East L.A. favorite, “Huggie’s Bunnies,” written by Tesso. The pages below contain scans of band cards of the bands on the East Los Angeles circuit in the 1960s. This was right after Andy Tesso had left The Romancers, so I never got to see Andy play live in the 60s. The original members were Texas-born Alvin Thomas, Texas-born Woodrow "Bobo" Blake, Tyrone French, Jimmy Shelbourne and Bobby Freeman. Leave feedback. Members of the Romancers were the backing group, along with some studio horn players. Most of The Romancers' music is still available today. This light-hearted romance is about two young lovers discovering that love can exist without obstacles and the excitement of dange This 1894 comedy in three-acts was translated by Barrett Clark. The Romancers made two albums on Del-Fi Records and a … The Romancers have eight songs on this collection, which also includes many of the recordings co-produced by Max Uballez for other Eastside bands. The Romancers -3-AUTHORS' NOTE Commedia dell'arte (comedy of artists) originated in the streets and marketplaces of the early Italian Renaissance. The Romancers were the first East L.A. Chicano band to record an album and were the main influence of the mid-sixties East L.A. sound. The Romancers were the first East L.A. band to record an album and were a huge influence … (George Ochoa of the Slauson Brothers would become lead singer of my band, the Men from S.O.U.N.D. According to Andy, he had the Romancers for about a year before Max joined. He was involved in songwriting and production the Romancers' records, as well as other top Eastside bands. The Romancers made two albums on Del-Fi Records and a string of singles for Eddie Davis' Linda label. They were also the first East L.A. band to work with Billy Cardenas and Eddie Davis, who went on to record many other Eastside bands throughout the 1960s. Max concedes that Andy may have had a band first, but the name came about after they were involved with their manager, Billy Cardenas. His biggest hit was “Land of a Thousand Dances” by Cannibal & the Headhunters, co-produced with Eddie Davis. Many of the band members left with Max and continued on their own. He was drafted six weeks before Cannibal & the Headhunters did The Beatles' U.S. tour. They were so busy they added more musicians to the mix, sometimes splitting up into two bands to play two venues at the same time. I loved it and heard it until it practically wore out. The Romancers were the first East L.A. Chicano band to record an album and were the … Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. The album called “Do the Slauson” still sounds good today. This collection was released in 1995 and I highly recommend it. The Romancers got their name from flyers and posters promoting East L.A. dances which read “Dance and Romance” this Saturday night, etc. I particularly remember playing right before them at Rainbow Gardens in Pomona, California on a Sunday afternoon in 1964. Their sound consisted of a strong and steady rhythm section, an excellent tenor sax soloist, a solid “chunka chunka” rhythm guitar, and an innovative lead guitarist on a trebly, poppy Fender Telecaster.

the romancers band

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