The AEA R88 stereo ribbon mic is a shining example of this. AEA Ribbon Mics & Preamps 3,335 views. Perhaps the N8s or N22s would be a better choice, or? When you buy products through links across our site, we may earn an affiliate commission. Thanks for all this input guys. The 4038 is certainly a heavier character sound, and has that bombastic low end response for things like drums etc. The N22 was primarily designed for close-up applications and offers a sound character that is distinctly different from our R series mics. It does help with all ribbons to have a good mic pre match- AEA's own are fantastic options. Not sure why someone would choose anything else honestly, boutique or otherwise. Now if you back off the source then sure it can be cleaner and natural, but it still has that beautiful thick warm ribbon sound that gives whatever source you’re recording a nice little hug. I love both on my last drum recording i used the r88 on the overheads and the N8 on the room mics. But the 4038 has such unique 'mojo', I could never live without it's special 'whomp' on the toms. The R88 boasts two Big Ribbon elements angled at 90 degrees, getting true stereo sound from a single microphone. The R88 is a passive ribbon design and the 1:28 transformer between the .2 Ohm ribbon and the mic line is its main electronics component. You should check out the Stager SR2N as well. I have a very low 7 foot ceiling in my studio (unfortunately), and it's a small room over all (15 x22). The R88 is a classic. If one was concerned about maintenance I don't believe one should get involved with ribbons to begin with. If you're thinking primarily drums, get the r88. A fixed Stereo Mic is obviously, more limited. I like what I hear about the AEA R88, and am considering it for a drum overhead. My ceilings are unfinished, about 8-10 ft. (a slope) in a great sounding, smallish room in a barn. Even though we have a pair of r84 available it was the first time with the N8 and i absolutely love them i use them with a charter oak MPA-1 pre and it was awsome sound. The following techniques and videos will show you a range of instruments and ways of recording with the R88 in Blumlein technique. I use mine in Blumelein for OH and get a nice wide, natural sound and feel. Would the R88 be OK in this environment? For those using the R88 as an overhead, can you comment on position and typical distance from the kit, please? I have a very low 7 foot ceiling in my studio (unfortunately), and it's a small room over all (15 x22). I have both and wouldn't want to part with either. After you add the R88, look to the active powered AEA mics such as the A840. I would choose the AEA R92 in that regard. An advantage of the N22's is that you can use them in other stereo or mono setups. 4038 have stood the test of time and no other mic can pull off what they do. AEA’s R88 stereo microphone is a true Blumlein recording system and houses two ribbon transducers with two separate outputs. R88 is also very good but not character-ful like the Coles. Hey there! So I recommend what any true Gearslut would recommend: get both!!!! The R88 pairs well with AEA's RPQ preamp [#73], and together they are a staggeringly useful, awesome sounding team. I’ve even recorded a full band with just this mic! And top-level audio engineers like Joe Chiccarelli, Chuck Ainlay, and Vance Powell trust the AEA R88 so much that … The only clear answer is get the R88 first, then get a Coles and finally get a second Coles because you'll want a pair! AEA R88 Stereo Mic - Acoustic Guitar - Listening Library - Duration: 0:34. AEA R88A stereo active ribbon microphone - Gearslutz @ NAMM … All good things require special attention from time to time. I'll add that I've recorded with it in a well tuned room with very low ceilings- if you have absorption/defusion on the ceiling, you are going to get great sounds. A great way to get a spacious sound without the hassle of a multi-mic setup. I used to do drums a long time ago in a similar sized room, but it was treated nicely and balanced sounding so that's the key. The R88 is a jaw dropping mic. As a result, this is a seriously large (and heavy) microphone. I wouldn’t be without it on a tracking session Joe Chiccarelli (The White Stripes, The Strokes, Morrissey) … Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. The N22 is definitely a more modern voiced mic.
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