The exercises below are simple but once you learn them really well you can start changing rhem up a bit to suit your own style and once you do, the possibilities can be almost endless! Home > Saxophones > Saxophone Players > R & B Saxophone Players, Rhythm and Blues Saxophone Playing | Blues Transcriptions. Subsequently, as with so many R & B players, he served some time with Lionel Hampton. From John Broven’s sleeve notes: “Honky Tonk was conceived by Clifford Scott and Billy Butler in a hotel room jam session before a dance in Lima, Ohio. He was an alto player and song writer. His first record, Rock the Joint was possibly the first rock and roll record (though there are other contenders). Ever since musicologists have been confused as to which is which, especially as Kelso himself is not quite sure. Red Prysock, brother of famous singer Arthur Prysock. He became a an artist in his own right with his 1957 hit Walking With Mr Lee, so titled after his habit of walking on the spot as he got more and more into a solo. The type or kind of scale used can greatly help us as musicians achieve the goal of creating a certain type of mood or sound. Another great Texas tenor, one of his first jobs was with Milton Larkin, playing alongside Eddie Vinson and Illinois Jacquet. The classic blues saxophone tone is more edgy, dirtier, and often with some elements of effects like growing and flutter tonguing. Neither did I include players who predominantly made their mark in the 60s and later, e.g. He is credited as the first saxophone player to record with Elvis, other sessions include Roy Orbison, Jerry Lee Lewis and Johnny Cash. © 2020 How To Play Saxophone. In 1971 he was still quite active and was part of the Marvin Gaye sessions which produced the songs Mercy Mercy Me and What’s Going On, both featuring Moore on sax. Red recorded under his own name as well as playing with other band leadrs. It can be a daunting thing until someone shows you the right steps to make it all come together. Blues Saxophone Music and Players Blues Saxophone Players of Fame and Influence. Originally a jazz musician (and purportedly a disliker of rock & roll), Bill Haley hired him to replace Joey Ambrose. It wasn’t long before he started doing club dates with his own band, cashing in on the post war interest in R & B. If you learn things like the blues scale, pentatonic scale and dominant 7 scale you’ll discover they can be applied to many other styles of music. Eddie’s family moved from Georgia to Chicago, where he spent much of his life. Sign up for the Beginning Improv lessons on the form at the sidebar on the right >>>. It was Stitt who persuaded him to play alto as well as tenor. He is known amongst R & B fans for his hit Cornbread, which shows his skill in making a statement with just one note and a few choice typical jump jive dance phrases, yet Hal is also an accomplished jazz musician who worked with jazz luminaries such as Roy Eldridge and Coleman Hawkins. After the advent of rock and roll in the 50s, Freddie reissued tracks under the pseudonym “Hen Gates” which later confused record collectors, especially when some tracks where attributed to Freddie Mitchell and Hen Gates. We can hear what’s coming right around the corner. He also worked with blues shouter Wynonie Harris and guitarist T-Bone Walker. Jackie enjoyed a long and fruitful career, later joining the Count Basie Orchestra as well as featuring on Little Richard’s 1986 album “Lifetime Friend”, produced by Stuart Colman. The rest is history – he performed regularly with his band the Buffalo Bearcats. Big Al paid plenty of dues coming up through the big bands – Chick Webb, Andy Kirk, Lionel Hampton and finally Duke Ellington, when he replaced the great Ben Webster as soloist. Jackson was from Florida, and like so many blues tenor players served a stint with Cootie Williams before being discovered by Eddie Vinson.

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