But, Gonzalo's imagining is also self-contradictory and impractical, as Antonio and Sebastian are quick to notice; and perhaps this is Shakespeare's statement about the naivete of Utopian thought in general. Susan Hilferty, Costume Designer, states that stage makeup is the most personal to an actor. In Act 2, Scene 1, of The Tempest, after Ariel puts all but Antonio and Sebastian to sleep, Sebastian is convinced by Antonio to kill Alonso, the king of Naples. Why is Alonso feeling depressed and sad? For example, when Sebastian and Antonio are plotting to kill Alonso in Act 2, Ariel interrupts the action to tell the audience that his master can foresee with his art—made possible by his magic—Sebastian and Antonio's murder plot. Start. "His project dies" if Antonio and Sebastian's deviant plot is not made; and here, Prospero again shows himself to be a manipulator of the play's events, influencing the course of the play from within. Questions. During the Quiz End of Quiz. 2. Prospero's need for revenge could easily have led to tragedy. Act 1, Scene 1. Ariel intends to let Prospero know that the conspiracy has indeed been formed as he wished, and Prospero in turn will try to keep Gonzalo safe, out of appreciation for his past help in preserving the lives of Prospero and Miranda. Feedback. The presence of a conspiracy against the throne and a plot of murder creates another similarity; and Sebastian reacts to his brother's ambitious vision as Macbeth reacts to the witches-- that is, with thoughts of murder. What do you learn about Ferdinand? resource to ask questions, find answers, and discuss the novel. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. "Rub the sore" is a phrase Gonzalo uses to tell Sebastian that his attempts to console the king do no more than aggravate the loss; and this phrase was a popular one during Shakespeare's time, and is much easier to understand than some of the more obscure and outmoded allusions that Shakespeare includes in his work. Cloudflare Ray ID: 5f9fb548ceda3f9c Click on the links below to view examples of model plans written in response to essay style questions: What do you consider to be engaging about the way Shakespeare represents Prospero? Where does Trinculo hide from the impending thunderstorm? The Tempest literature essays are academic essays for citation. Several allusions to The Aeneid are sprinkled throughout the play, Antonio and Sebastian's debate about the "widow Dido" and the uniqueness of Carthage among the most prominent of these. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Edit. Antonio and Sebastian detach themselves from their party through their mocking wit. Stephano assumes that Caliban is a "mooncalf," or a monstrosity, the term alluding to a folk tale of the time. What Sebastian means with this comparison is that he is waiting to be moved in some direction, and will remain still, or "standing," until he finds his purpose and motivation. Antonio castigates the Boatswain during the storm, because he believes the sailors are (a) Drunk. In addition, the audience needs to know what events motivate Prospero’s decision to stir up the storm and why the men onboard the ship are his enemies — several share responsibility for Prospero’s isolation. In fact, when this play appeared in the First Folio of Shakespeare's work, shortly after Shakespeare's death in the early 17th century, Caliban's character description marks him as "a savage and deformed slave," despite glimpses of his noble character in the play. More The Tempest Quizzes. ... What is the best reason for the many speeches Gonzalo gives in Act 2? Settings. Because he wished to draw the enemies of... 3. King Lear Act 2 Play: Trivia Quiz! How did Stephano arrive at the shore of … Similarities Between Principal Characters in Shakespeare's The Tempest, A Post-Colonial Interpretation of The Tempest, The Fierce and Mighty Sea; The Dramatic Function of the Powerful and Ever Present Ocean in The Tempest, The Sensitive Beast: Shakespeare's Presentation of Caliban. In The Tempest Shakespeare regularly interrupts the action of the plot with the characters Ariel and Prospero. Caliban,in his delirium, thinks that Stephano is one of Prospero's minions, sent to torment him; Stephano thinks a drink of wine will cure Caliban of what ails him, and bit by bit, gets Caliban drunk as well. (d) Peace. GradeSaver, 23 June 2000 Web. 0. Other colonization-related themes are raised by Gonzalo's description of his Utopia, from lines 145 to 162 in Act 2, scene 1. These papers were written primarily by students and provide critical analysis of The Tempest. While Prospero firmly believed that the only legitimate power was the power that came from one's knowledge and hard work, Antonio believes that the power he usurped from his brother is legitimate, because he deserved it more and had the skill to wrestle it away. Gonzalo tries to console Alonso upon their good fortune of surviving the shipwreck‹but Alonso is grieved‹not only because his son Ferdinand is missing and presumed dead, but because he was returning from his daughter's wedding in Africa, and fears he will never see her again because of the distance. In Hamlet, Claudius bandies about similar language when soothing Hamlet, mentioning the "common theme" of paternal death, and begging him to cast off the "woe" that burdens him. 1. Act II, Scene 1, lines 1-184 Questions and Answers 1. You can either confine yourself to two episodes or explore the whole play. (d) Incompetent. The tempest is a symbolic form of an upheaval from a state of (a) Nature. The phrase could be alluding to another proverbial saying, but exactly which saying is being referred to is unclear. 1. Caliban, as a native, is seen as a "monster," not only by Prospero, but by Trinculo and Stephano also; their contempt for dark-skinned Caliban is analogous to Europeans' view of "natives" in the West Indies and other colonies, and Shakespeare's treatment of Caliban provides some interesting social commentary on colonization. Although Caliban asserted his natural authority over the island in Act 1, Prospero's usurpation of Caliban's power is negated by Caliban's portrayal as a savage seeking a new master. Stephano accepts the offer. (c) Sluggish. 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